TOPIC: INTERCONNECTIONS — LITERATURE/THEATRE/DRAMA/PERFORMANCE AND MUSIC
IN THE LONG 18th AND 19th CENTURIES
IN THE LONG 18th AND 19th CENTURIES
COORDINATOR: dr hab. Magdalena Pypeć, University of Warsaw
DEADLINES:
- proposals (about 200 words) - 15 April 2018
- complete papers - 10 May 2018
- stage adaptations of literary texts
- the role of references and allusions to plays and performances in literary texts
- the role of actors and theatrical troupes in literary texts
- the language of gestures and play acting
- the influence of melodrama and pantomime
- dramatic genres in the18th and 19th century Britain and their cultural and literary influence
- women and play-writing
- representations of musicians in fiction
- opera and its literary and cultural impact
- musical themes and subtexts in literature
PROGRAMME
10.00–11.00
Plenary lecture
Chair: Grażyna Bystydzieńska
Paddy Lyons
Brechtian Dimensions in Eighteenth Century Theatre
11.30–12.30
Session 1
Chair: Magdalena
Pypeć
Anna Paluchowska-Messing
A Play to be Read?
Joanna Baillie’s and Hannah Cowley’s Engagement with Their Readers
Magdalena Ożarska
The 1830 Polish Cause
as a Springboard for Claire Clairmont’s Creative Reworking of Goethe’s and de Staël’s
Iconic Female Performers
13.00–14.00
Session 2
Chair: Magdalena Ożarska
Jacek
Mydla
Horace Walpole’s The
Mysterious Mother – a Gothic Oedipus?
Przemysław
Uściński
Spectacle of Pity: Hypocrisy and the Performance of
Sentiment in Henry Mackenzie’s The
Man of Feeling
15.30–17.00
Session 3
Chair: Przemysław Uściński
Marek
Błaszak
Elements of Theatrical Performance and Sailors as Performers
in Capt. Marryat’s Sea Novels
Barbara
Ludwiczak
Trollope as a Playwright – Comparing Did He Steal It? and The Last Chronicle of Barset
Magdalena
Pypeć
The Theatrical Trope as a Narrative Device in
Dickens’s The Mystery of Edwin Drood
Venue:
The Institute of English Studies, University of Warsaw
69 Hoża Street
Plenary lecture: room 113 (ground floor, library)
Sessions: room 345 (2nd floor)
Tea: room
326 (2nd floor)