TOPIC: LITERATURE AND MUSIC
IN THE LONG 18th AND 19th CENTURIES
IN THE LONG 18th AND 19th CENTURIES
COORDINATOR: dr hab. Maria Błaszkiewicz, University of Warsaw
DEADLINES:
- proposals (about 200 words) - 10 January 2018
- complete papers - 8 February 2018
- the art of the libretto – opera and oratorio
- musical settings for literary works
- literary works as an inspiration for musical works
- musicality of literature
- music as a literary theme
- music and musicians in the 18th and 19th century novel
- poetry and music
- cultural and political significances and implications of music
PROGRAMME
10:00-11:00 Plenary lecture
Chair: Grażyna Bystydzieńska
Pierre Dubois
Music and the Georgian Novel, or the Divorce of Adam and Eve
Pierre Dubois
Music and the Georgian Novel, or the Divorce of Adam and Eve
11:30-12:30 Session 1
Chair: Małgorzata Łuczyńska-Hołdys
Maria Błaszkiewicz
The episode of Saul and the Witch of Endor in literature and music
Jakub Lipski
The perils of aesthetic pleasure in Ann Radcliffe’s The Romance of the Forest and The Mysteries of Udolpho
Chair: Jakub Lipski
Małgorzata Łuczyńska-Hołdys
The Aeolian harp and the strain of poetry – musical imagery in P.B. Shelley’s selected verse
Andrzej Weseliński
Let's dance a gavotte, Mr. Frankenstein. Some remarks on the theatrical adaptations of Mary Shelley's novel
Chair: Maria Błaszkiewicz
Barbara Ludwiczak
Function of Music in Anthony Trollope’s The Warden and Barchester Towers
Anna Krawczyk-Łaskarzewska
Content, Syntax, Punctuation – the Uses of Music in The Old Nurse’s Story by Elizabeth Gaskell
Joanna Kokot
Disharmonious harmonies. Music as theme in Charles Dickens' The Mystery of Edwin Drood